Laid Back Computing / Sunao Inami
TCCD-20082 (CD only)
21st April 2008
Release $16.00 (incl.World Wide Shipping from Japan)

1. Sleep,Dream,Optimize 5:54
2. The Man who Sold the Calculator 4:26
3. Grain Blinds 5:26
4. An Ephemeral Thing 6:42
5. All Things Must Pass 4:17
6. Waiting in the Grain 7:16
7. You Daren't Look Behind 5:52
8. Pulled DSPs 6:16
9. Laid Back Computing 4:44
10. Till You Come 4:24
11. Goodbye Computer 6:46

11tracks,62 mins
1000 copies ltd. CD only. Made in Japan

Genre:
Dark Electro / Industrial / Rhythmic Noise


Reviews:

SIDE-LINE (be)

Gothtronic (nl)

Medienkonverter (de)

Connexion Bizarre (pt)

machinist (Belarus)


cuemix magazine (de)

Sunao's new studio recording stuff out now!
The complicate elements re-constructed to newer beats.
Cut upped abstract grains re-constructed to newer rhythm.
High knowledge of DSP based sound design process with analog modular synthesis.
Complex music, but very original.
No drum alternative grooves through the cut up breaks with dark electro.

Composed,Recorded,Mixed and Produced by Sunao Inami
Recorded and Mastered at CAVE Studio on Sep. '07 - Jan. '08
Sunao Inami uses NI Reaktor,Ableton Live and Waldorf Synthesizers
Additional Sound Designed by jade-one [k]racktroni[k] Birmingham UK
www.kracktronik.co.uk
Photograph by Eric Martin www.num-eric.com
Model : Agatha Moon www.agathamoon.com

Released 2008 by electr-ohm
http://www.electr-ohm.com
contact@electr-ohm.com

 

HOW-BOW 2 / Sunao Inami
TCCD-20081 (CD only)
21st March 2008
Release $16.00 (incl.World Wide Shipping from Japan)

1. w-org1 9:32
2. ztoch 9:49
3. w-org-e 7:06
4. yun1 6:18
5. oct5 8:01
6. canyon1 6:49
7. damiana3 8:48
8. end-1 9:43
9. end_w.1+ 7:40

Artwork by French painter,Alain Paparone.

9 tracks, 73min 50sec.
1,000 copies ltd. Made in Japan

Genre:
Dark Ambient / Ambient Noise / Industrial / Electro-Acoustic


Reviews:

textura (ca)

cuemix magazine (de)

machinist (Belarus)

The concept of HOW-BOW is newer technology experimentation or deep electro-acoustic instrumentation.
"HOW-BOW" was released by C.U.E. records on 2003 and it hard to find ltd. CDR release. (but it available on iTunes store now)
after 5 years, "HOW-BOW 2" comes.but sound character is totally different.
"HOW-BOW" was glitch and click based IDM, "HOW-BOW 2" is drone,dark ambient and early 80s industrial experimentation with current DSP based sound treatments.
(for example,GRM tools,Eventide,Sound Toys special complicated effects)
almost sounds generated from field recordings, but sound character is cyber industrial tastes with organic dark ambient soundscapes.

This CD recommended for dark ambient noise fans and classical industrial music fans.
also, it's very good reference for sound design of computer based alchemists.
and if you have "HOW-BOW", please play together "HOW-BOW" and "HOW-BOW2".
then you will get another electro-acoustic soundscapes.

Released 2008 by electr-ohm
http://www.electr-ohm.com
contact@electr-ohm.com



My life in an insulation test / V.A.
ELAP 01 (CD only)
14th February 2008 Release $16.00 (incl.World Wide Shipping from Japan)

01 : salvation / P.A.L (de) 4:19 www.ant-zen.com/pal
02 : Iron Ape / dDAMAGE (fr) 3:45 www.myspace.com/ddamage
03 : par amour / SONIC AREA (fr) 3:49 www.audiotrauma.org
04 : A Second Between What Is and What Was / Uniform (uk) 3:28 www.youkneeform.com
05 : Alexander / Ananda Jacobs (us/jp) 6:47 www.myspace.com/anandasound
06 : Vocal Impulse Test / Lagowski (uk) 4:28 www.lagowski.com
07 : Depths to Minamo 2 / Saburo HIRANO (jp) 4:30 www.nn.iij4u.or.jp/~shirano
08 : crow / urbanshaman S.T.T. (jp) 3:56 www.myspace.com/takahirosakatani
09 : dim /knr (jp) 3:40 www.myspace.com/knrmusik
10 : Choto baca / N-rgle (be) 2:40 www.lestrolls.com
11 : ProtoCORE_Re:make! / mushituro (jp) 5:19 www.myspace.com/mushitsuro
12 : Dot Cott / VD (jp) 3:23 www.myspace.com/vdkansai
13 : Google Man Ver1.0 / DARUIN (jp) 4:03 www.neus318.com
14 : Fisheries / Sunao Inami (jp) 4:22 www.cavestudio.com
15 : Into the Night Side of Nature. / Germseed (uk) 5:03 www.lazaruscorporation.co.uk/v4/germseed
16 : A Phantom Conception (Half Life) remix by Loran C / After Birth (uk/jp) 5:50
www.myspace.com/appliancejapan

Total Time 69:00

Reviews:

cuemix magazine (de)

Connexion Bizarre (pt)



the label, "electr-ohm" and " appliance japan" collaborated this compilation.
16 artists from 6 countries with sounds ranging from rhythmic noise to dark ambient and IDM sonic experimentation.

Released 2008 by electr-ohm,appliance japan
http://www.electr-ohm.com
http://www.appliance-japan.jp



electr-ohm compilation 1 / V.A.
TCCD-20062 (CD only)
6th November 2006 Release $16.00 (incl.World Wide Shipping from Japan)

01 : Instrumental / Sunao Inami (jp) www.cavestudio.com
02 : Niflheim / Empusae (be) www.empusae.com
conceived by Sal-Ocin. Empusae appears courtesy of Hands (www.handsproductions.com)

03 : sak / in center of circle (jp)
04 : Extra Terrestrial / Noize Creator (de) suburbantrash.c8.com
built and shaped by Noize Creator,Suburban Trash Industries 2006.

05 : Nocturnal waves / Flint Glass (fr) www.flint-glass.com
written by Gwenn Tremorin and appears courtesy of Brume records (www.brumerecords.com)

06 : cut / nOriyOshi (jp)
07 : R-IO / symphony space (jp) manyumanyu@kir.biglobe.ne.jp
08 : Sperre Drei / Enzym (de) suburbantrash.c8.com
Geschrieben mit VAZ,aufgenommen im Silberzimmer in Nickern 2006.
09 : Legacy of Mangler / Sunao Inami (jp)
10 : a circle and a triangle / Yumi Matsui (jp) www.myspace.com/honeinu
11 : acdeefhlmmnoooprsty / Daisuke Ohkoshi (jp) dream.freespace.jp/eggshell
12 : Fear event killing all people in Grand Theft Auto / ANATOMICA (jp) www.myspace.com/happysadcore
13 : Norma / LITH (fr) www.lithsite.net
14 : tam / in center of circle (jp)
15 : hymenaea protera / wg@eet (nl) www.shootingfootage.net/wg.html
16 : LCR / symphony space (jp)

Total Time 65:00

Reviews:

Connexion Bizarre (pt)

Igloo Magazine (us)

Heathen Harvest (us)

Gothtronic (nl)

cuemix magazine (de)

ALIEN (sk)

sgzt.com (ru)

Re Gen Magazine (us)


This CD is an answer from a lebel, electr-ohm to next generation of IDM.
Complex rhythm beat and gentle crackles with abstract textures or subdued drones.
and their advantage is high knowledge of DSP sound manipulation.

13 international artists joined from 7 countries, 16 songs,65 min total.
This CD is highly recommended to a person liking IDM, Rhythmic noise,Dark electro,Break beat and Break core. [ DETAILS HERE]

Released 2006 by electr-ohm
http://www.electr-ohm.com
contact@electr-ohm.com

 

USED UP AND EMPTY / Sunao Inami
TCCD-20061 (CD only)
21st August 2006 Release
$16.00 (incl.World Wide Shipping from Japan)

Audio Track :
01 - USED UP (5:04)
02 - Marker 2 (7:30)
03 - Marker 4 (1:37)
04 - Marker 5 (2:20)
05 - Marker 7 (1:47)
06 - Marker 9 (2:10)
07 - Marker 10 (4:34)
08 - Marker 11 (5:05)
09 - Marker 12 (4:21)
10 - Marker 13 (7:54)
11 - AND EMPTY (6:42)

Total Time 49:07
Live recorded at Frontline (Gent,Belgium) and I'Usine (Geneva,Switzerland) in March 2006

Data Track :
Live at RIC'S ART BOAT in Brussels,17th March 2006.mp3
Total Time 45:14
Live recorded at RIC'S ART BOAT (Brussels,Belgium) in March 2006

Sunao Inami : Reaktor 5 and Live 5 by Powerbook G4

Reviews:

Connexion Bizarre (pt)

Gothtronic (nl)

Igloo Magazine (us)

Transit (ch)

Release Music Magazine (se)

Dark Entries (be)

elect(Ro)tation (de)

cuemix magazine (de)

ALIEN (sk)

Enochian Apocalypse (gr)

Postindustry (pl)

Re Gen Magazine (us)

GIAG (ru)

Heathen Harvest (us)

This is Sunao Inami's 4th full solo album comes from his own label,electr-ohm.
It has live recorded at his EU tour on March 2006.
IDM,break beat,abstract rhythmic noise or dark electro music had improvised by live performance.
His live performance is more aggressive than his studio recordings,it are heavy complicated rhythmic beats,but It is not violent at all, and it is IDM side with high knowledge of real time sound processing.
and also his all sounds generated by NI Reaktor and his vintage analog synths.
Sunao used Reaktor 5 and Live 5 on Powerbook G4.

Audio Track:
11tracks, 49min07sec total.
Live recorded at Belgium and Switzerland in March 2006.

Data Track:
And extra bonus track is 45min15sec mp3 file,this is audience recorded official bootleg live track.
Live recorded at RIC'S ART BOAT in Brussels,17th March 2006.

Over 94min total live tracks on a CD!

Released 2006 by electr-ohm
http://www.electr-ohm.com
contact@electr-ohm.com


Looper's Delight Compilation Volume 3/ V.A.
LDCD3 (CD only)
1st December 2005 Release / $16.00 $14.79 (incl.World Wide Shipping from Japan)
01 - Zoe Keating (U.S.A.) We Insist 3:45
02 - andy butler (U.K.) ro-sham-bo 4:10
03 - Tony K / OVO (U.S.A.) Manifestations 4:08
04 - Krispen Hartung (U.S.A.) Groovy Space Faring Machine 4:12
05 - ghost7 (U.S.A.) nature fights back 4:45
06 - The Coyote Loops! (U.S.A.) Excerpt From 'The Long Dance' 5:01
07 - UNDO/David Kirkdorffer (U.S.A.) Celexa & Effexor 4:00
08 - XISTH infotainment (U.K.) Infinity (edit) 4:03
09 - Stephen Parsick and Markus Reuter (Germany) Orange Moon Excerpt (for Ina) 3:57
10 - Phasmatodea (U.S.A.) Nesting Shelters 3:53
11 - Sunao Inami (Japan) Sink 4:11
12 - Electric Bird Noise (U.S.A.) We Share More Than My Fathers Last Name 2:33
13 - Mark Francombe (Norway) Mogadishu 3:52
14 - Fabio Anile (Italy) In a land of stars 3:48
15 - Boysen-Wagner Duo (Sweden/Switzerland) I'll Be On That Hill 3:29
16 - Scott kungha Drengsen (U.S.A.) Learning to walk means falling 4:02
17 - Michael Plishka (U.S.A.) Overwhelmed By You (A Haiku For Kathy) 3:49
 

A Compilation album of International Mailing List Community,it called Looper's Delight. Volume 3 is release 7 years after Volume 2 was released...
17 international looping artists joined, Ambient,Experimental,Minimal,Drone,Improvised,Electro-Acoustic etc.
More details(artists bio,photo etc.)available,Click Here.

Looper's Delight is a cultural and informational resource for musicians creating with audio loops of every sort. Loop based music essentially involves the repetition of audio samples, or loops. From that basic premise looping moves off in numerous directions, encompassing a wide range of techniques for building, manipulating, and using loops. The technique crosses many musical boundaries and appears in a wide range of musical styles and genres.

Organized by Sunao Inami (CAVE Studio/electr-ohm/C.U.E.)

Special Thanks to Kim Flint (Looper's Delight)

Released 2005 by electr-ohm
http://www.electr-ohm.com
contact@electr-ohm.com


 An Impulse of Acoustic / Sunao Inami
TCCD-20051 CD
March 2005 / $16.00 (incl.World Wide Shipping)
1. Open@4:16
2. Urchin 7:54 mp3
3. Quarantine 7:05
mp3
4. Denomination 21:26
mp3
5. Rectifier 3:16
6. Convolution 6:49
mp3
7. Precision 6:42
mp3
8. Close 3:46
mp3
9. Urchin (Divide Edit) 6:44


Total Time 68:04
The music made by improvisation sound sketch and cut up,after that editing and constituting that it same method of his album "DELAYED", but a greatly different matter from before is the following,the multiple use of the irregular beats by the samples chopped up by filtering and Granular synthesis especially with a complicated thing characteristic this time.
The sounds influence from IDM and glitch or electronica stuff of these days, and also German electronics or experimental of the 70s and the early '80s industrial music.
Sunao used NI Reaktor 4,Absynth,Ableton Live4, Waldorf synthesizers mainly.

[Review on Connexionbizarre]
"An Impulse of Acoustic" spans realms from IDM to ambient, crunchy glitches to delicate drones. Japanese synthesizer guru Sunao Inami modestly understates the album's title, as he embarks not on a mere impulse, but on a lengthy voyage of hypnotic proportions.
Read more

Sunao Inami : Computer Generated Instrumentation
All Songs Written by Sunao Inami
Recorded and Mixed at CAVE Studio(Kobe) in Jan - Feb 2005
Additonal Musicians:Luca Formentini :Processed Guitars , Slacknote : Bass & Buzz ,
Ian Burgers : Vocal Acrobatics
Produced by Sunao Inami


 LIVE DELAYED / SUNAO INAMI
TCCD-20042 CDR
December 2004 / $12.00 (incl.World Wide Shipping)
1. Marker1 2:55
2. Marker2 3:45
mp3
3. Marker3 4:59

4. Marker4 2:10 mp3
5. Marker5 1:50
mp3
6. Marker6 1:20
7. Marker7 8:52
mp3
8. Marker8 3:35
9. Marker9 4:01
mp3
10.Marker10 14:03 mp3
11.Marker11 6:51

Total Time 54:24
Sunao Inami played Reaktor 4 and Live 4 by Powerbook G4 and iBook G4 per each.
Live recorded in the event LIFE RHYTHM at Uwaya Gekijo, Kobe in October,28th,2004.

Sunao used some samples from his album "DELAYED" , and music is more aggressive under the live improvisation.

 SYNCED! / International Live Looping Trio
illt1 CDR
November 2004 / $12.00 (incl.World Wide Shipping)
Total Time 44:24

Sunao Inami (Japan): laptop
Rick Walker (USA): found sound, percussion and electronics
Bernhard Wagner (Switzerland): guitar, effects, loops

Live recorded at the Luggage Store, San Francisco in October,7th,2004.

International Live Looping Trio official site
http://nosuch.biz/illt


 DELAYED / SUNAO INAMI
TCCD-20041 CD
April 2004 / $16.00 (incl.World Wide Shipping)
1. M1_1/5 7:34
2. 2_12/19_edit3 4:53
mp3
3. M3_2/17_v8 12:56
mp3
4. M5_v5 6:10
5. M6_v5++ 5:57
mp3
6. 2/19/04_rec_2_v5 11:29
7. M9 4:42
8. M13_v2 3:59
9. M12 2:48
mp3

Total Time 60:35
 

"DELAYED" by Sunao Inami is the latest in a strong line of releases on his own electr-ohm label, established about 3 years ago.
Sunao Inami's music's main strength lies in repetition, but where the "poison" lies is different every time: electronics, glitch, techno, noise, ambient; the result of recent years of progression, digression and collaboration from which he's gained impetus, irritation and motivation. By soaking up these sensations, he has arrived at his most recent sound.
Inami embraces the thrill of improvisation on the PowerbookG4 and the feeling of tension and composition from the newest DSP recording methods and any and every editing process.
For "Delayed" he used a Waldorf synth for hardware, and mainly Reaktor4, Live, Spark, Logic6 and Protools for software. Otherwise spoons and other kitchen utensils.
Future plans include collaborations with American and European musicians, who have previously contributed audio fragments to Inami's many other projects via his busy ftp server.

[Review on Connexionbizarre]
Sunao Inami is bordering on genius. I hadn't actually heard of him before listening to this CD but a friend said to me "He's similar to Mimetic. You'll love his stuff". There are similarities certainly, but there is something altogether a little more sinister here.

Read more

Sunao Inami : Computer,Synthesizers,Guitar & Field Recordings
All Songs Written by Sunao Inami
Recorded & Mixed at CAVE Studio (Kobe) in Jan - May 2004
Additional Musicians : Rick Walker's Loop.pooL Sound Design,Found and Invented Instruments , Roberto Zorzi Guitar , Slacknote Beats and Noise , Werner Hasler Trumpet Soundscapes
Mastered by Motoji Ohkita
Designed by Emi Makino
Sunao Inami uses Waldorf synthesizers
Produced by Sunao Inami


 SPL-22001 / Akamatsu/Inami/Ishigami
SPL-22001 CD
May 2002 / $16.00 (incl.World Wide Shipping)

Masayuki Akamatsu
01. foxtrot
02. slowtransition
03. metastable
04. halfhalt
05. briskwalk
Kazuya Ishigami
06. for Sir Dhomont
07. spiritual one-eye
08. Master save me from Scummy life
09. return to scumbag
10. return to scumbag II
11. dilemma
12. Master save me again
Sunao Inami
13. Sometimes I get so lonely
14. Still more
15. Sometimes I get nowhere
16. Can you hear me?


It called " Split CD" of Masayki Akamatsu,Sunao Inami and Kazuya Ishigami.
They recorded about 20min
per each,They used Powerbook G4 with MAX/MSP,Kyma,Reaktor etc..
About the sounds, it massive DSP based experimental computermusic.

Official sites:
Masayuki Akamatsu
http://www.iamas.ac.jp/Paka/

Sunao Inami
http://www.cavestudio.com

Kazuya Ishigami
http://www.neus318.com

Review:

CHAIN D.L.K.
archive: http://www.chaindlk.org/reviews/reviews.php3?id=1323%00
A nice 3-way split for these Japanese laptoppers, featuring different souls and approaches to MAX/MSP and DSP sound manipulation. Masayuki Akamatsu opens with an exhilarating rhythm ("foxtrot"), like Philip Jeck gone digital, then switches to elegiac drones ("slowtransition"), menacing electroacoustic unrest ("metastable"), sinewaves and scattered voices ("halfhalt"), and more Jeck-ian crunches and iterations ("briskwalk"). Kazuya Ishigami (also in Daruin, Billy?, Clock Rock Localocks, and owner of Neus318/C.U.E. Records) offers a minimal droning piece ("for Sir Dhomont"), one of quiet minimal loops ("spiritual one-eye"), then in the following 5 tracks goes more brutal with dry-as-a-bone electroacoustic manipulations, a kind of lyophilized Japanoise or L-ne sound gone amok. The demented improv samples work really well in "return to scumbag II". Sunao Inami aptly closes the cd with more subdued drones, gentle crackles, 12k-sounding watercolours ("Still more"), minimal clicks ("Sometimes I get nowhere"). A succesfull release, not because everything here is a masterpiece, but rather because the three performers' excursions cover a spectrum of interesting sounds, and manage to keep the listener's attention focused throughout.

eighth nerve || News from Kyma Users ||2002.08.02
archive: http://www.symbolicsound.com/eighth-news.html

Sunao Inami has released a new album with Masayuki Akamatsu and Kauya Ishigami called SPL-22001 on the electr-ohm label,
featuring the three composers kneeling shrine-like before their laptops on the cover (http://cavestudio.com/electr-ohm/index_E.html).
Living up to its billing as "massive DSP based experimental computer music", the album features about 20 minutes of each composer using Powerbook G4s with MAX/MSP, Kyma, and Reaktor to generate an amazing range of timbres.
Inami's work emphasizes delicate, highly resonant filters just on the edge of breaking into oscillation punctuated with silences and crackling,
sustained pads with resonant details popping in and out, and shimmering reverberated pads of sustained pitches along with with what sounds like a massively granulated train whistle.
The sounds are imaginative and varied, sometimes (but not always) with a slow pulsing beat.


 repeater / sunao inami
TCCD20012 CD
July 2001 / $16.00 (incl.World Wide Shipping)

1. intro 4:06 mp3
2. trace route 5:10
3. waves on the table 3:44
4. modifiers control 3:48
mp3
5. rainy wales 5:10
mp3
6. repeater 8:26
mp3
7. loop is life,life is loop 15:53
mp3
8. continuous skin break III 6:15
9. outro 2:47





This is a solo album of Sunao Inami.
He going through '70s electronic music to 21st century's electronica..
It called progressive techno for his music style.
He always used Wavetable synths(PPG & Waldorf),textures and drones are intersting.
Also realtime looping methods,DSP based synthesis and analog modular synthesis exist together.

Sunao Inami : All Instruments
Recorded,Mixed and Produced by Sunao Inami
Sunao Inami uses Waldorf synthesizers

Graphic Design by Yoshiyuki Saga
Cover Photo by Sunao Inami
Sunao Inami official site
http://www.cavestudio.com/

Review
:

eighth nerve || News from Kyma Users ||2001.09.28
archive: http://www.symbolicsound.com/eighth-news.html
Sunao Inami's new album, repeater, is now available under the electr-ohm label (http://www.cavestudio.com/electr-ohm). Awash in ambient sound
design, BPM delay lines, and Waldorf-Wavey beats, astute Kyma users will also be able to pick out the sounds of Kyma's granular synthesis.


Live at Bayside / TIMECONTROL
TCCD20011 CD
May 2001 / $16.00 (incl.World Wide Shipping)

1. Region 1
2. Region 2
3. Region 3
4. Region 4

5. Region 5

6. Region 3 (Mix II)

This is a 2nd album of TIMECONTROL from their own label,electr-ohm.
A last one has released from Subrosa,Belgium.
Member has changed,Takashi Kojima (Drums,Computer improviser) from Phantasmagoria
and Masayuki Sumi (avant-garde dancer,voice performer).
TIMECONTROL did reinforce the progressive/improvise performances.

MOMO is great Synthesizer manipulator in Japan,he worked many musicians and he working his other band, Ambient-7,F.E.O.D. etc.
Their method is analog processing based, the human power electronic sound is mixtured '70s Kraut Rock with Electronica of 21st century.
Sunao working his own studio,it called CAVE Studio.
He has joind YMO remix album in 2000,also his synthesis knowledge and theory is important of the synthesizer business circles.

This album is live recorded in Osaka,It did on the second day after Sunao,Masayuki and Takashi are back from France and Switzerland live gig tour.

Live Recorded at Baysidejenny Mar. 2000,Osaka Japan
Mixed and Produced by Sunao Inami

TIMECONTROL use Waldorf synthesizers

TIMECONTROL
Masayuki Sumi : Voice
Sunao Inami : Bass,Synthesizer
MOMO : Electronics
Masato Kawatani : Guitar
Takashi Kojima : Drums

TIMECONTROL official site
http://www.cavestudio.com/TC/





Copyright 2001-2008 electr-ohm / CAVE Studio


17th Mar. 2008 updated.

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